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NICOLE SLEETH

Figurative oil painter

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nicolesleeth

My first available print, Nocturne, is a limited e

My first available print, Nocturne, is a limited edition of 20. The original 80”x40” painting was a satisfying venture into more imaginative work. The idea of a floating figure, with the contrast of idealized, abstract environments and “real” figures - already divine in their natural state - is something I’ve been interested in for a long time and have begun to explore.

This is a beautiful 24”x12” giclée print on acid-free 100% cotton rag 330 gsm paper.

Ships anywhere; available through my shop (link in bio or nicolesleeth.com/shop)

In the “Gaze” series, the models were active p

In the “Gaze” series, the models were active participants in choosing their own poses. We would have a collaborative photo shoot where I would try to discover what body positions made them feel most grounded and put forth their most solid energy. Sometimes a model would come up with a pose - even just for a quick casual moment - that I never would have thought of or suggested, and couldn’t resist painting.

Valerie II, oil on linen, 80”x37”

Colour studies help me plan and visualize a larger

Colour studies help me plan and visualize a larger painting. It’s much easier to make changes, or realize something isn’t working, when it’s on a smaller scale.

20”x20” colour study for my 87”x84” diptych, in preparation for my residency at @pouchcove_org in Newfoundland for the month of October.

Who else thinks varnishing is an extremely satisfy

Who else thinks varnishing is an extremely satisfying process?

The full 10 minute video is available for members at nicolesleethatelier.com

Nova, 65”x45”, oil on linen

Working on the first pass of The Remedy. Those ski

Working on the first pass of The Remedy. Those skin tones looked so strange against the red oxide underpainting.

📷: @byron_cameraman

The Remedy is the largest painting I’ve complete

The Remedy is the largest painting I’ve completed. After painting solo figures for some time, I wanted to try a multi-figure composition. Inspired by works of Falero, Klimt, Whistler, Blackwood, and others, I wanted to create this world where the figures float peacefully, at ease with themselves but also enjoying the connection with others. One of them invites us in. We too could enjoy this state of being, if we leave our judgements behind.

The Remedy (ft. Poppy), oil on linen, 60”x90” diptych. Swipe for details.

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Nicole Sleeth Fine Art Studio

2 days ago

New course release! Charcoal Shading: Understanding Values and Form is a comprehensive 9-part course available at nicolesleethatelier.com/register/shadingYou will be guided through charcoal exercises to become familiar with the medium, learn to understand how to see lights and darks accurately, and then bring it all together with a narrated charcoal drawing.These lessons on shading are important not only for charcoal, but also for oil painting and pencil. Take the entire course, or choose which lessons best suit your learning goals, such as an explanation of the classical order of light, or how to finish a charcoal drawing.Access to the entire course is included in an Atelier membership. If you're not a member, the course or individual lessons can be purchased for lifetime access.This is a preview of Lesson 7: Starting a Charcoal Drawing ... See MoreSee Less

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Nicole Sleeth Fine Art Studio is at Fan Tan Alley.

6 days ago

My first available print, Nocturne, is a limited edition of 20. The original 80”x40” painting was a satisfying venture into more imaginative work. The idea of a floating figure, with the contrast of idealized, abstract environments and “real” figures - already divine in their natural state - is something I’ve been interested in for a long time and have begun to explore.This is a beautiful 24”x12” giclée print on acid-free 100% cotton rag 330 gsm paper. Ships anywhere; available through my shop (link in bio or nicolesleeth.com/shop) ... See MoreSee Less

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Limited edition "Nocturne" print now available